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The Devil's Horn: The Story of the Saxophone, from Noisy Novelty to King of Cool, by Michael Segell
Download PDF The Devil's Horn: The Story of the Saxophone, from Noisy Novelty to King of Cool, by Michael Segell
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In The Devil's Horn, Michael Segell traces the 160-year history of the saxophone-a horn that created a sound never before heard in nature, and that from the moment it debuted has aroused both positive and negative passions among all who hear it. The saxophone has insinuated itself into virtually every musical idiom that has come along since its birth as well as into music with traditions thousands of years old. But it has also been controversial, viewed as a symbol of decadence, immorality and lasciviousness: it was banned in Japan, saxophonists have been sent to Siberian lockdown by Communist officials, and a pope even indicted it.
Segell outlines the saxophone's fascinating history while he highlights many of its legendary players, including Benny Carter, Illinois Jacquet, Sonny Rollins, Lee Konitz, Phil Woods, Branford Marsalis, and Michael Brecker. The Devil's Horn explores the saxophone's intersections with social movement and change, the innovative acoustical science behind the instrument, its struggles in the world of "legit" music, and the mystical properties that seduce all who fall under its influence. Colorful, evocative, and richly informed, The Devil's Horn is an ingenious portrait of one of the most popular instruments in the world.
- Sales Rank: #557324 in eBooks
- Published on: 2005-10-15
- Released on: 2005-10-15
- Format: Kindle eBook
From Publishers Weekly
The saxophone has come to be synonymous with 20th-century music, not to mention all things cool: jazz, cocktail lounges, hip cats and the like. Segell (Standup Guy: Manhood After Feminism) traces the instrument back to its eccentric Belgian creator, Adolphe Sax, an acoustical craftsman who survived disease, accidents and even assassination attempts from his instrument-making competitors. Just 10 years after Sax completed the first prototype of the saxophone in 1843, the shining horn had traveled all over the U.S. and throughout Europe. Music would never be the same again. Like its creator, the sax was revolutionary, an instrument whose very sound—which has been described as "carnal" and "voluptuous"—caused it to be banned by Nazis and Communists; religious leaders—including the Vatican—deemed the instrument "profane." As Segell recounts the saxophone's history, he simultaneously illuminates many of its renowned players, namely jazz greats Benny Carter, Sonny Rollins, Lee Konitz and Branford Marsalis. An amateur musician himself, Segell has a personal relationship with the horn, which adds a stirring sense of immediacy to the narrative.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
"A minor miracle. . .a book that will appeal to both jazz musicians and jazz lovers alike." -- Rob Fishburn, The Roanoke Times
"A story as much fun to read as listening to a sax master." -- Kirkus Reviews
"It's clear [Segell] grasps the jazzman’s dictum that it’s the journey, not the destination." -- Dave Itzkoff, The New York Times Book Review
"What a splendid tribute Segell has written to that time-bending musical continuum that still holds so many in its thrall." -- Tom Nolan, The San Francisco Chronicle
"[A] historical and deeply personal tribute to the saxophone." -- Jonathan Bor, The Baltimore Sun
"[Michael Segell] guides us on an entertaining journey." -- Matt Schudel, The Washington Post Book World
About the Author
Michael Segell is an editor at the Daily News, an amateur percussionist and saxophone player, and a professional music lover. He lives with his wife and children in New York City and Long Eddy, New York.
Michael Segell's writing has appeared in numerous publications, including The New York Times, Rolling Stone, Sports Illustrated, and Esquire, where he wrote the popular column "The Male Mind" for three years. He has received two National Magazine Award nominations for his work.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Disappointing
By Warren A. Keller
The book starts out fabulously. I loved the fascinating and funny tale of Adolphe Sax's youth. The author chooses many roads to travel down, many of which were not interesting to me personally. He certainly hits a few 'high notes' however, and these may warrant you reading it. I would have preferred more concentration on jazz, it's players, and horns, rather than the parade of oddballs and their odd ideas that populate this book.
9 of 10 people found the following review helpful.
A must-read for all saxophonists!
By Dylan R. Cramer
All of us owe a debt to Michael Segell for his book on the saxophone. He has written an engaging, informative and oftentimes hilarious account of Adolphe Sax's incredible creation. Mr. Segell has spared no expense in tracing the history of the saxophone and has chronicled its years of development with easy-reading expertise. His interviews with many saxophonists are a particular joy to read and be a part of. Although it would be practically impossible to document every little piece of information about the saxophone and all of its major contributors over the past 160 years, Segell has done an exceedingly thorough and heartfelt job (one look at his bibliography will offer proof of that), and he deserves all the credit in the world for his efforts. I highly recommend this book to anyone who is a saxophonist and who is interested in becoming a more learned student of the history of the great instrument.
I also hope this book will teach all of us as saxophone players not to be as divided in our thinking as we have been and that we will instead become more united and accepting of each other and of the many different styles and ways of thinking regarding our amazing instrument, the saxophone. At the very least, it's worth a try...
sax on everyone!
8 of 9 people found the following review helpful.
Historically accurate, a great read
By Bo
I've read many of the dissertations and references he's used for research here, and this book is a much more enjoyable read than many of them. It's historically accurate and informative, yet pleasantly written in the style of a professional journalist rather than a PhD candidate. He's used many of the best names in the legit (and jazz) business as sources. If you want a one-source introduction on how the saxophone came to be, this would be my first choice.
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