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A hitman who only kills other hitmen winds up a target himself.
- A Boston Globe Best Books of 2015- Nominated for the Anthony Award for Best Novel- Nominated for the Lefty Award for Best World Mystery Novel- Nominated for the Best Thriller Barry Award
Michael Hendricks kills people for money. That aside, he's not so bad a guy.
Once a covert operative for a false-flag unit of the US military, Hendricks was presumed dead after a mission in Afghanistan went sideways. He left behind his old life--and beloved fianc�e--and set out on a path of redemption...or perhaps one of willful self-destruction.
Now Hendricks makes his living as a hitman entrepreneur of sorts--he only hits other hitmen. For ten times the price on your head, he'll make sure whoever's coming to kill you winds up in the ground instead. Not a bad way for a guy with his skill-set to make a living--but a great way to make himself a target.
- Sales Rank: #142666 in Books
- Published on: 2015-09-15
- Released on: 2015-09-15
- Original language: English
- Number of items: 1
- Dimensions: 9.63" h x 1.13" w x 6.38" l, .0 pounds
- Binding: Hardcover
- 320 pages
Review
"Chris Holm's The Killing Kind is my favorite thriller of the fall lineup. Here's a solid gold premise: an assassin who only kills other assassins. . . . The cat-and-mouse game that follows is pure joy. . . . This novel is so fast-moving, so expertly arranged, every piece fitting together with a well-oiled snap, that it feels weaponized. Read it. Or else."―Benjamin Percy, New York Times Book Review (Editors' Choice)
"Pure thriller with a smart, vicious twist . . . What makes this book sing [is] its lean action, breakneck execution, and a nervy concept that's almost too perfect. . . . The book has plenty of sly humor, sharp dialogue, and even the occasional yanked heartstring. And there's a rhythm to it, relentless and breathtaking."―Jason Heller, NPR
"The writing is tight and tense . . . This is a fun spin on crime fiction."―Jeff Ayers, Associated Press
"With The Killing Kind, Chris Holm has created a story of rare, compelling brilliance, with a concept so high you'll need oxygen to finish it. Hit man against hit man, one pure silk and evil, the other not exactly good, but we root for him anyway as the classic antihero. This is a one-sitting, extravagant, mind-blowing reading pleasure with a stable of characters who come across as all flesh, bone and folly. You will never look at men hired to kill other humans the same way. You won't merely read this book, you will inhale it."―David Baldacci, bestselling author of The Escape
"Chris Holm loads an ingenious premise-an assassin who kills only other assassins-into a high-powered story that goes off like a rocket. His protagonist, Mike Hendricks, is an all-American anti-hero with his own code of justice, living on stolen time. The Killing Kind is sleek and smart, and will stay with you long after you've finished reading."―Joseph Finder, New York Times bestselling author of The Fixer
"An ultra-strategic cat-and-mouse game of mind-blowing proportions. . . . Holm is terrific at rendering characters with empathy and humor. . . . You'll want to go along for the ride - but keep that seat belt fastened."―Daneet Steffens, Boston Globe
"I love Chris Holm. He can evoke a landslide of character in a single detail. The Killing Kind crackles with muscle and moxie and wit. I will read it again and again."―Chelsea Cain, author of the New York Times bestseller One Kick
"Fast-paced . . . A skillfully woven cat-and-mouse thriller . . . [Holm's] style here is clean and uncluttered, no-nonsense but flexible enough to serve up either high-octane violence or straight-faced dark humor. . . . The Killing Kind is the kind of well-wrought entertainment that builds an enthusiastic fan base."―Michael Berry, Portland Press Herald
"A premise as intriguing as it is original . . . [Holm] brilliantly unleashes a cross-country game of cat-and-mouse in which the predator becomes the prey. . . . The Killing Kind is an intelligent and droll shot of adrenaline that aims high and more than makes the mark."―John Valeri, Hartford Books Examiner
"An adrenaline-packed read from start to finish, this first installment in what we hope is a new series is a must for thriller fans."―Jordan Foster, Strand Magazine
"Lean, brutal and riveting, Chris Holm's The Killing Kind is the kind of novel you can't put down but also want to savor. With sharply etched characters, knifelike twists and hardboiled energy to burn, it's an utter winner, beginning to end."―Megan Abbott, bestselling author of The Fever
"A high-octane, cat-and-mouse thrill ride, written with style and a flair for the spectacular. Chris Holm is a master storyteller, and The Killing Kind is his best work to date. Don't miss it."―Owen Laukkanen, author of the bestselling The Professionals
"[A] fast-moving, witty tale of good guy versus bad guy versus worse guy."―Kirkus Reviews (starred)
"Holm's action scenes are breathtaking whirlwinds. . . He builds an improbable level of suspense. . . . It's clear [Holm] is a writer with a strong future. Stick with him."―Booklist
"[An] inventive thriller . . . Holm carries off a preposterous plot with brazen aplomb, creating a diverting, action-packed story interspersed with excellent character vignettes."―Publishers Weekly
"Chris Holm's latest is exceptional in every way, with breakneck pacing, sensational storytelling, and razor-sharp prose. At its hardboiled core is an unforgettable antihero who inhabits a violent purgatory of his own making, but discovers there's a piece of his soul he hasn't lost yet. Dark, riveting, and instantly addictive, The Killing Kind is this year's must-read thriller."―Hilary Davidson, Anthony Award-winning author of Blood Always Tells
"With a great writer, a great premise, and a great protagonist, how can you lose? With his unique take on the hit man thriller, Chris Holm claims his place amongst the best suspense novelists working today. It takes real talent to make a hero of a cold-blooded killer, and Chris Holm pulls it off with style."―Stuart Neville, author of LA Times Book Prize-winning The Ghosts of Belfast
About the Author
Chris Holm is an award-winning short story writer whose work has appeared in a number of magazines and anthologies, including Ellery Queen's Mystery Magazine, Needle: A Magazine of Noir, and The Best American Mystery Stories. His critically acclaimed trilogy of Collector novels, which blends fantasy with old-fashioned crime pulp, appeared on over forty Year's Best lists. He lives in Portland, Maine.
Most helpful customer reviews
12 of 12 people found the following review helpful.
Great Hitman Chase Thriller!
By Michael Hicks
Chris Holm knows how to put together a mighty fine thriller, and with The Killing Kind he’s at his frenetic best.
While dueling assassins are old-hat in the thriller genre, Holm taps into a quick and easy rhythm that will keep readers glued to the page throughout. If it weren’t for the day job, I could have easily plowed through this book in a day, the pages kept turning so easily. In fact, I’m not sure that I’ve read a game of cat-and-mouse this engrossing since Thomas Perry’s Pursuit more than a decade ago.
Holm ably crafts his chase story in triangular fashion, with Michal Hendricks, a hitman who targets other hitmen, Engelmann, the hitman hired to locate and kill Hendricks, and the FBI agents trying to drum up any lead they can on the killer ghost that is Hendricks.
Hendricks, an ex-Special Forces operator, carries around a good amount of emotional baggage and conflictedness over his actions, and although he murders for money he operates by a set of rules and basic morality. The sort of ‘do a little bad to do a little good’ bit. Engelmann, on the other hand, is a wonderfully odd duck defined by his contrary nature. European, well-educated, nicely tailored, and possessing all the affectations that go along with that, he’s a cold-blooded sort and brutal in his executions, yet intriguingly and scarily deft in his tortures of those standing between him and his target.
The world in which both men operate in is nicely defined, and Holm tackles the big questions surrounding Hendricks’s choice of employment – like how does he figure out who needs help and who helps him along the way – quickly and succinctly, guiding readers through the plausible steps that define how a killer of killers would operate. And rather than feeling bogged down by a series of endless chases between disparate groups all running toward the same goal, there’s a beautiful sense of energy guiding the story.
Equally important, Holm avoids some of the typical expectations of the genre that most readers would expect – there’s no burgeoning romance shoehorned in between Hendricks and the female FBI agent that’s been chasing his ghost for years. These characters are utterly professional and proficient in their aims, which is another aspect I appreciated here. The focus is on keeping the tension torqued and the action moving.
And the action – well, there’s plenty of it, and it’s apparent that Holm had a great time writing and constructing this book. The Killing Kind is as clever as it is enjoyable, and Hendricks lays out several well thought out traps to ensnare his quarry, with a finale that is both satisfying and more than a touch ingenious.
The Killing Kind is a seriously fun read, and more than a few scenes recalled for me the glory days of the TV show Burn Notice (which, if you haven’t watched, you need to!). It’s energetic, propulsive, and eminently readable. Fans of smart action-thrillers, you’ve got your next read right here.
[This review is based on an advanced copy received from the publisher via NetGalley.]
9 of 9 people found the following review helpful.
"Rented" would actually be the right word...
By SAlaska
I used to coach my middle school students to use the word "borrowed" instead of "rented" to describe getting a book from the library, but rented is actually be a better word for the loan of this book: it's a lot like an action flick in the new releases section of Blockbuster, Amazon Instant Video, Netflix or wherever you get your viewing stuff.
Cinematic and action packed with fighting, stabbing, and gunshots and silenced gunshots, The Killing Kind also has engaging characters. I loved Lester and Stuart, was grossed out by Hank Garfield, and wanted to lock Engelmann in a box inside another box inside a shipping container buried under a load of crushed cars. Each character provoked emotion; I didn't get any laundry done, didn't check the mail, didn't tune in to the news, and didn't finish installing our new bathroom hardware. I was too busy reading cover to cover to find out what was going to happen to my book people!
Start reading this one on a day where you don't have stuff you need to get done.
10 of 11 people found the following review helpful.
A wild, pulse-pounding ride with exquisite attention to detail.
By Elizabeth A. White
FBI Special Agent Charlotte Thompson has an obsession. Over a period of several years she’s been tracking a man she calls the ghost, a hit man she’s convinced is responsible for an unusual string of murders—her ghost only kills other hit men. Neither her new partner nor her bosses at the Bureau are convinced. But as it turns out, calling her quarry a ghost is incredibly apt since, unbeknownst to Thompson, the target of her obsession is dead. Well, on the books he is anyway.
Michael Hendricks was once a member of a covert ops unit sent to perform false-flag missions for the US government. When all but two members of his squad—Hendricks and one other—were killed in a roadside attack in Afghanistan, Hendricks saw it as an opportunity to disappear and start his life over.
Upon finding his way back to the States, Hendricks decided to put his special skill set to use in a way he hopes will help him clear his conscience and earn redemption—he becomes a killer of killers. With the help of his friend, tech wizard Lester Myers, the other survivor of that attack in Afghanistan, Hendricks identifies people who are targets of impending “hits” and offers to take out the hitman assigned the job—for a price: ten times the cost of the hit. People who accept Hendricks’s offer live to see another day. Those who decide to pass, well, their track record isn’t too great when they decide to roll the dice without Hendricks as backup.
Things take an interesting, and potentially deadly, turn for Hendricks when a group that represents the various mob factions throughout the US in matters of importance to them all gets fed up with their hitters getting hit. Their solution? Hire the best freelancer in the world, a creepy, nasty piece of work named Alexander Engleman, a man who savors his job just a little too much, to track down and eliminate the ghost haunting their operations. Complicating matters even further for Hendricks, Special Agent Thompson has finally figured out his pattern and convinces her bosses to turn her loose, which sets the various parties and action in motion on an inevitable course for collision.
It wouldn’t be correct to say at that point The Killing Kind is off to the races, because the truth of the matter is author Chris Holm starts things off at a run right from the opening pages, when the reader joins Hendricks on a hit in progress, and the pace rarely slows down long enough to take a breath from that point on. With a wonderfully adept mix of straightforward prose and exquisite attention to detail, Holm takes both his characters and the reader on a wild, pulse-pounding ride that unfolds from the streets of Miami to the woods of Virginia, with stops in Portland, Maine’s Old Port neighborhood (home base to Lester Myers) and a riverside casino in Kansas City (where a deliciously convoluted and colorful confrontation occurs involving all the parties—with a Hendricks client and his assigned hitter thrown in for good, wickedly messy measure) along the way. The Killing Kind’s climactic showdown is one for the ages, with Holm bringing things to life with such detail and creativity it begs to be put on film…and will leave you casting glances about your house, amazed at the uncommon use some common items can be put to in the right hands.
Previously known to readers for his outstanding, intricately plotted and laced with dark humor urban fantasy meets noir Collector trilogy, Holm has both shifted gears somewhat and at the same time upped his game with The Killing Kind. While the Collector books were universally praised, appearing on scores of “Best of the Year” lists, The Killing Kind’s more mainstream thriller setup has the potential to open new doors for Holm and expand his reader base exponentially. And this would be a good thing for everyone, because if there’s one thing readers could use more of, it’s Chris Holm penned stories.
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